current album reviews
Biosphere, “The Way of Time” (AD93, 2025)
This latest album from Geir Jenssen’s long-running ambient/techno project admittedly blindsided me a bit, as I had not been keeping up with his recent releases on his own Biophon label. […]
Jake Muir, “Campana Sonans” (enmossed, 2025)
Colorfully described as “a synapse-popping electro-acoustic soundwalk around Western Europe’s cathedrals,” Campana Sonans is a pair of deeply immersive and hallucinatory sound collages inspired by the daily sounds of church […]
Pye Corner Audio, “Lake Deep Memory” (Quiet Details, 2025)
This latest album from shapeshifting synth conjurer Martin Jenkins is his first for Quiet Details and captures him in one of his more “immersive soundscape” moods. Notably, I have historically […]
Hugo Randulv, “Drunkna I Ljus” (Discreet, 2025)
Billed as a “minimal masterpiece of immense beauty,” this second album from Enhet För Fri Musik’s Hugo Randulv is composed of two longform pieces for electric cello and controlled feedback. […]
Laura Cannell, “LYRELYRELYRE” (Brawl, 2025)
This 11th solo album from Laura Cannell was amusingly inspired by an eight-year-old conversation with writer/researcher/foghorn enthusiast Jennifer Lucy Allan, who once wrote the titular pun on a post-it note. […]
Kara-Lis Coverdale, “From Where You Came” (Smalltown Supersound, 2025)
I was beginning to despair that I may never hear a new Kara-Lis Coverdale album ever again, as it has been eight years since the Montreal-based composer last surfaced with […]
Romance, “Love Is Colder Than Death” (Ecstatic, 2025)
The latest release from this oft-fascinating (and anonymous) London-based project is billed as a “noir ambient masterpiece” and a “fever dream in the lineage of Dashiel Hammett and David Lynch.” […]
Ash Fure, “Animal” (Smalltown Supersound, 2025)
This is arguably the solo debut from iconoclastic NYC composer Ash Fure, but it has been preceded by quite an impressive & eclectic run of ambitious performances and major accolades […]