reviews of contemporary underground psych, drone, sound art, and electronic/experimental music from the fringes
Seefeel, “Sol.Hz” (Warp, 2026)
This new full-length from the latest resurrection of Seefeel seems to be the work of just the core duo of Mark Clifford and Sarah Peacock, which is something that would […]
Razen “Stained Glass Starling” (Viernulvier, 2026)
The latest album from this eclectic and eternally evolving Belgian collective is a collaboration with veteran Dutch composer/theater musician Dick van der Harst. This is not the first time that […]
Ak’chamel, The Givers of Illness, “Spiritually Unemployed” (Akuphone, 2026)
The latest release from these enigmatic Texas psych weirdos did not grab me quite as quickly as some of their previous releases, but I am now quite convinced that it’s […]
Meitei, “Agate” (Kitchen, 2026)
This latest stunner from Japanese artist Daisuke Fujita’s Meitei alias seemed almost impossibly great the first time that I heard it, but that made sense once I learned that it […]
France, “Good Thoughts, Bad Thoughts” (the state51 conspiracy, 2026)
This latest live album from this “legendary hurdy-gurdy-powered kraut/psych/folk/drone band” captures an impressively raw, fiery, and thoroughly trance-inducing performance at state51 Conspiracy’s East London headquarters. In fact, it is damn […]
Water Is The Sun, “Ritual Fever” (Trome/Tocco Magico, 2026)
After a handful of digital and cassette-only releases, this duo of Mkl Anderson (Drekka) & Adam Parks (lightning white bison) celebrate the project’s vinyl debut with their finest album to […]
Terrence Dixon, “When Stars Remember” (Tresor, 2026)
This latest EP from the veteran Detroit techno producer feels like a killer outlier of sorts, as Dixon notes that he set out to make a louder, more dance floor-targeted […]
Caterina Barbieri & Bendik Giske, “At Source” (light-years, 2026)
I am always skeptical of collaborations between two solo artists with cool and unique visions, as the result is usually an underwhelming compromise or a collection of half-baked edits of […]
